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Sailing with the CHARLES W. MORGAN

Almost any mast against a skyline can inspire a poet or painter, but it takes authenticity, the ring of truth, to take the breath away from even the most jaded professional mariner. That such a ship—ready for sea with a crisp and purposeful air—should also be the oldest surviving American square-rigged merchantman only makes the sight more compelling. Such was the CHARLES W. MORGAN in the summer of 2014 during her first venture to sea in more than 90 years.
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MAYFLOWER II’s Rebirth

Among the dramatic changes during the MAYFLOWER II reconstruction has been the complete replacement of her rigging, reducing weight aloft by about one-third. The standing rigging is of Mystic Three Strand, made by New England Rope.
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PIRATE

After being fully restored to sailing condition by professionals with the help of a group of volunteers, PIRATE sails out of The Center for Wooden Boats in Seattle, Washington, not far from where she was originally launched.

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In Caledonia

TAKATANI, a 19′ yawl built to Iain Oughtred’s Eu Na Mara design, sails in a light breeze before the ruins of Urquhart Castle while transiting the Caledonia Canal in Scotland.

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DANDELION
Page 58

Herreshoff Catboats

by Stan Grayson

My first visit to the Henry Ford Museum of American Innovation in the mid-1970s was memorable for many reasons. The collection of automobiles, steam and gasoline engines, locomotives, bicycles, and other objects ranged from marvelous to mind-boggling. But it was one particular surprise that remains foremost in my mind. During my wandering on what is said to be the world’s largest expanse of parquet flooring, I suddenly encountered, of all things, a catboat. There she sat in a well-fitted wooden cradle with a plaque identifying her as SPRITE, built by the Herreshoffs of Bristol, Rhode Island.

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CAPRICE and GHOST

CAPRICE and GHOST were part of the 28-boat Sound Interclub fleet built by Henry B. Nevins during the winter of 1925–26. The class raced on Long Island Sound for more than a decade before being eclipsed by the larger International One Design.
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37' PENOBSCOT
Page 66

Searching for Charles D. Mower

by Stan Grayson

A long time ago now, at a cluttered, used-book shop on the New Jersey shore, I acquired the 1945 edition of Sailing Craft: Mostly Descriptive of Smaller Pleasure Sail Boats of the Bay. First published in 1928, Sailing Craft had been conceived and edited by a wealthy Philadelphian named Edwin J. Schoettle. Although he’d gained considerable success as a manufacturer of cardboard boxes, Schoettle’s real passion was sailing. It was this boat obsession, centered on but not limited to Barnegat Bay in New Jersey, and his impressive social connections that gave Schoettle access to the best-known yachtsmen and designers of his time.

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