Milford Buchanan and I had already bent the pre-made bottom of the dory into the building jig—or horse, as he called the ancient cradle on the boatshop floor at the Dory Shop Museum in Shelburne, Nova Scotia. We had wedged the flat bottom tightly in place using posts and jacks that had been used to spring more than 50,000 bottoms to the standard 31⁄2" rocker.